“Pink Floyd Animals” is another one of Pink Floyd’s ground-breaking albums, which the band has always been known for. An important place in both the band’s repertoire and the hearts of fans is reserved for this 1977 album. But why is “Animals” so captivating and different? Let us delve into and investigate the different facets of the “animals” universe.
The Genesis of “Animals”
Pink Floyd underwent a radical change in the middle of the 1970s. The band was keen to break new ground, especially after the popularity of “The Dark Side of the Moon” and “Wish You Were Here.” Inspired by George Orwell’s “Pink Floyd Animals” and the socio-political climate of the day, “Animals” sprang out of this creative furnace. The band’s growing disenchantment with the environment they live in is reflected in the album, which transforms their annoyances into a potent musical statement.
The English rock group Pink Floyd’s tenth studio album, Animals, was released on January 21, 1977, by Harvest Records and Columbia Records. It was made by Pink Floyd in 1976 at their brand-new London studio, Britannia Row Studios.
Pink Floyd Animals Songs
The Tracks on “Animals”
“Pigs on the Wing”
“Pigs on the Wing,” a two-part song that acts as a bookend for the album’s more powerful middle half, starts and concludes. These tracks provide a momentary diversion from the album’s more somber themes while adding a reflective and intimate element.
“Dogs”
The album’s longest tune, “Dogs,” explores the ruthless dynamics of corporate and political power battles. This song highlights the band’s musical abilities and Roger Waters’ incisive lyrics with its shifting tempos and intricate arrangements.
“Pigs (Three Different Ones)”
This song criticizes society’s elites, portraying them as cunning and dishonest. The harsh, angry music matches the song’s critical attitude. The music gains a distinct texture from guitarist David Gilmour’s use of the talk box.
“Sheep”
The oppressed masses rising up against their oppressors is symbolized by “Sheep.” The song progresses from a meek, pastoral opening to a stirring conclusion, signifying the awakening and revolt of the oppressed.
“Pigs on the Wing (Part 2)”
The second section of “Pigs on the Wing,” which finishes the CD, returns the listener to a more contemplative and upbeat state. It is an appropriate conclusion to an album that deals with such difficult and gloomy subjects.
Roger Waters’ Influence
Roger Waters was essential to the making of “Animals.” The idea, lyrics, and general vibe of the record are all clearly influenced by him. Waters’ insightful prose and incisive social critique give “Animals” a unique edge.
Artwork and Visuals
The album’s classic cover image shows a gigantic inflatable pig floating between two Battersea Power Station chimneys. The artwork, which was created by Hipgnosis and Roger Waters, represents the concepts of power and control found throughout the album. A reoccurring theme in the songs is the pig, which stands in for the avaricious and corrupt elites.
Reception and Impact
Critics gave “Pink Floyd Animals” a mixed response when it first came out, but fans loved it. With time, the record has gained recognition as a key piece in Pink Floyd’s repertoire, winning accolades for its audacious idea and potent execution. Its influence can be observed in the subsequent work of numerous artists.
Live Performances and Tours
The band performed “Pink Floyd Animals” live on stage during their 1977 “In the Flesh” tour. These complex live presentations included stunning staging effects and imagery. The band’s dramatic delivery of the album’s intricate tunes and the intensity of the tour are what most remember about it.
Comparisons to Other Albums
With its distinct ideas and unadulterated intensity, “Pink Floyd Animals” is a worthy successor to Pink Floyd’s classics “The Dark Side of the Moon” and “Wish You Were Here.” It is notable for being straightforward and for taking a darker turn in the band’s musical direction.
The Band’s Evolution Post-“Animals”
Pink Floyd proceeded to develop after “Animals,” putting out albums like “The Wall” and “The Final Cut.” Building on the themes of alienation and societal critique introduced in “Animals,” these works went further yet.
